Stephen King’s Secret Archive

What happens when the first and only person allowed into Stephen King’s private archives sits down to talk about what she found? In this episode of Fascinating Nouns, host Daniel J. Glenn sits down with Dr. Caroline Bicks, author of Monsters in the Archives: My Year of Fear with Stephen King, for a wide-ranging conversation about horror, language, childhood trauma, and the secret sauce behind one of the most prolific writers in history.

Dr. Bicks — a Shakespeare scholar and the University of Maine’s Stephen A. King Chair — was given unprecedented access to King’s full manuscript collection, including handwritten drafts of Carrie, The Shining, Salem’s Lot, Pet Sematary, and Night Shift. She shares what she found: margin notes revealing King’s obsessive attention to word sounds, the moment he almost put Pet Sematary in a drawer forever, how a concrete gravel liner changed the entire moral weight of the novel, and why the famous line “sometimes dead is better” was originally “sometimes death is better” — and why that one word change made all the difference.

We also get into whether kids should be reading Stephen King (spoiler: it’s complicated), why Stephen King hated the Kubrick Shining, how Shakespeare and King are more alike than you think, the ghost question, and why Francis Bacon might actually be Stephen King.

This one goes everywhere — and it’s a blast.